Public Radio Host Fired After Involvement in ‘Occupy D.C.’
(FOXNEWS) A freelance radio host was fired from a documentary program that airs on NPR affiliates because she helped organize a Washington protest, the host said Thursday, while the producers of another show defended her work and said she hasn’t violated their policies.
Lisa Simeone said she was fired Wednesday evening from “Soundprint,” a documentary show that isn’t produced by NPR but airs on about 35 affiliate stations across the country. The head of Soundprint Media Center Inc. cited NPR’s code of ethics before she was fired.
“In my mind, it’s fine if you want to be a leader of an organized protest movement, but you can’t also be in a journalistic role,” Moira Rankin, president of Soundprint, told The Associated Press a day after she fired Simeone. “You can’t be the host of a journalism program and plead that you are different than the reporter who is going to come on a minute after you introduce the program.”
Rankin said she was alerted to Simeone serving as a protest spokeswoman by a radio programming director who airs the show. She said her Laurel, Md.-based production company had adopted NPR’s ethics code as its own in part because listeners don’t know the difference between NPR and independent producers across the country.
NPR also questioned Simeone’s involvement in the protest near the White House, which began as an anti-war protest but also adopted what participants call an anti-corporate greed message. But NPR said Simeone doesn’t work for the radio network, and it hadn’t pressured Soundprint to fire her.
Simeone also hosts “World of Opera,” a show produced by North Carolina-based music and arts station WDAV. That program is distributed by NPR to 43 stations. Simeone said that station is supporting her.
“I don’t cover news. In none of the shows that I do, do I cover the news,” she told the AP. “What is NPR afraid I’ll do? Insert a seditious comment into a synopsis of ‘Madame Butterfly?'”
Simeone, who lives in Baltimore, said she has been serving with about 50 people on a steering committee for an occupation protest on Pennsylvania Avenue that’s known as the October 2011 Movement. She said it is not connected to the Occupy Wall Street movement, but that they share similar philosophies.
WDAV, a classical music station based in Davidson, N.C., defended Simeone’s work Thursday and said she remains the host of “World of Opera.” The NPR affiliate said it was working to find a solution for the show with NPR.
“Ms. Simeone’s activities outside of this job are not in violation of any of WDAV’s employee codes and have had no effect on her job performance,” WDAV spokeswoman Lisa Gray said in an emailed statement.
On Thursday, NPR spokeswoman Anna Christopher said the network’s code of ethics applies to cultural programs it distributes, such as “World of Opera,” as well as to news shows it produces, acquires or distributes.
“We are not her employer, but she is a host for a show that we distribute,” Christopher said. “She’s a public person who represents NPR and public radio.”
Though “Soundprint” airs on NPR stations, it’s not distributed by the network itself.
NPR’s ethics code states that “NPR journalists may not participate in marches and rallies” involving issues NPR covers. The code notes that some provisions may not apply to outside contributors. It uses a freelancer who primarily contributes arts coverage as an example.
Simeone said she is not an “NPR journalist.” For the “Soundprint” show, her role involved writing introductions to the show’s featured documentaries, and she was expected to give her point of view. In the past when she worked for NPR, she said she also wrote op-eds for The Baltimore Sun with no problem.
“I have never brought any of my political activities into my work for ‘Soundprint,’ ‘NPR World of Opera,’ or the Chicago Symphony Orchestra series,” she said, adding that she doesn’t cover politics or the news.
The firing came as many NPR stations are in a fall pledge drive to raise money from their listeners. Rankin said that had no bearing on her decision to fire Simeone after 15 years on the show.
Congress provides about 15 percent of public broadcast funding, primarily for individual stations.
Ongoing debate over the nation’s deficit and spending, as well as “disdain” among many Republicans over any cultural funding has made public broadcasters more sensitive, said American University Professor Patricia Aufderheide, an expert on documentaries and public media.
“I’m a little baffled about why somebody who was not a news reporter would not be able to take a stand on a topical issue that wasn’t in their sphere of professional activity,” she said.
Still, Nikki Usher, an assistant professor at George Washington University who has studied NPR, said any news organization would have done the same thing.
“All press organizations should face this level of scrutiny,” she said. “Unfortunately, the situation surrounding public broadcast funding means NPR must hold itself to additional scrutiny.”
Lines have been blurred, though, in an age where opinion journalism is pervasive. On Saturday, the Rev. Al Sharpton who hosts an MSNBC show, led a jobs protest in Washington. The same network had once suspended Keith Olbermann for making political contributions.
In the past year, NPR has come under scrutiny for its firing of news analyst Juan Williams after he said on Fox News that he was uncomfortable being on a plane with someone wearing clothing that identifies them as Muslim. At the time, NPR said Williams’s comments violated its code of ethics by participating in media “that encourage punditry and speculation rather than fact-based analysis.”
The network has been sensitive to accusations that it carries a liberal bias. An NPR chief executive was forced to resign after a conservative activist posted a video online of NPR’s chief fundraiser complaining about the tea party’s influence on the Republican Party.
Earlier this month, NPR announced Gary Knell, the longtime president and CEO of “Sesame Street” producer Sesame Workshop, would become its next chief executive on Dec. 1. Knell told the AP he wanted to “depoliticize” NPR by emphasizing its commitment to journalism.