Down The Rabbit Hole w/ Popeye (07-15-2013) Fritz Springmeier – The Illuminati, Mind Control & Satanism
(POPEYE) On this edition of DTRH Popeye welcomes back to the broadcast Illuminati bloodline expert Fritz Springmeier. They discuss who the Illuminati are, mind control, how Bill Clinton, and George W. Bush are both mind controlled multiples, the fact that Satanism really exists, and more.
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THE OCCULT ASPECTS OF 9/11
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Down The Rabbit Hole w/ Popeye (12-17-2012) Fritz Springmeier: The Illuminati, Mind Control, Satanism, Solutions & More
(FEDERALJACK) On this edition of DTRH Popeye welcomes researcher Fritz Springmeier to the broadcast. Springmeier is an expert on the Illuminati and their bloodlines, Satanism, the occult, mind control and the dark new world order agenda. They go over who the “Illuminati” are, the reality that satanism exists and persists to this day, Cathy O’Brien, John Todd, mind control and the many people under the control of the people who use it, and much more.
Fritz Springmeier’s Website: http://pentracks.com/blog/
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Listen Live Page: http://www.federaljack.com/?page_id=11598
(FEDERALJACK) On this edition of DTRH Popeye takes you through the looking glass deep into the Matrix to expose the deeper meaning behind the Matrix movie trilogy with friend and guest Mark Passio. They go over Causality, the Law of Correspondence and more. Take the time to listen to this insightful broadcast.
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(POPEYE) On this edition of DTRH Popeye goes over the occult aspects of 9/11 with guest Mark Passio exposing that it was more than just a false flag terror attack, it was a massive ritual with the victims being a blood sacrifice with the intent to destroy “CARE” otherwise known as the sacred feminine. Take the time to listen to this broadcast so you can have a full understanding of what happened that day and what has been going on since. The pictures that appear are the slides that Mark Passio references during the interview, so they are in the video and posted below the video as a visual for the listener.
LINKS TO FURTHER RESEARCH, THE ARCHIVE PAGES, FACEBOOK & TWITTER
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THE OCCULT ASPECTS OF 9/11
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DTRH W/ POPEYE
SLIDES REFERENCED IN THE VIDEO BELOW:
(VC) An apocalyptic horse with glowing red eyes welcoming visitors? Check.
Nightmarish murals? Check.
Strange words and symbols embedded in the floor? Check.
Gargoyles sitting in suitcases? Check.
Runways shaped like a Nazi swastika? Check.
OK, this place is evil.
But seriously, there are so many irregularities surrounding the DIA, that a voluminous book could be written on the subject. The facilities and the art displayed lead many observers to believe that the DIA is much more than an airport: it is literally a New-Age cathedral, full of occult symbolism and references to secret societies. The art at the DIA is NOT an aggregation of odd choices made by people with poor taste, like many people think. It is a cohesive collection of symbolic pieces that reflect the philosophy, the beliefs and the goals of the global elite. The DIA is the largest airport in America and it has cost over 4.8 billion dollars. Everything regarding this airport has been meticulously planned and everything is there for a reason.
The airport facilities themselves raised a ton of questions regarding the true purpose of the mega-structure. Numerous “creative” theories are floating around the DIA regarding underground military bases, aliens and/or reptilian creatures. While I’m aware that anything is possible, we will stick to the documented facts.
The airport was built in 1995 on 34,000 acres. Its construction forced the Stapleton International airport to shut down, although it used more gates and runways than the DIA. The initial cost of construction was 1.7 billion $ but the final project elevated the bill to 4.8 billion: 3.1 BILLION $ over budget. Numerous irregularities have been reported regarding the construction of the site:
* Different contractors have been hired for different parts of the airport. They’ve all been fired after their job was done. This lead observers to believe that it was a strategy to make sure nobody had the full scope of the project.
* 110 million cubic yards of earth have been moved, way more than usually required. This arose suspicion of construction taking place underground.
* 5300 miles of fiber optics were installed for communications (USA coast to coast is 3000 miles in comparison).
* Fueling system that can pump 1000 gallons of jet fuel per minute. This amount is totally absurd for a commercial airport.
* Granite imported from all over the world even if the project was already grossly over budget.
* Construction of a huge tunnel system (trucks can circulate in them) and underground trains. Most of those aren’t used at the moment.
Analysis of the data available makes me reach at least one conclusion: this gigantic structure will eventually become much more than a regular commercial airport. It has the capacity to handle a huge amount of people and vehicles, leading observers to think that the structure might be used as military base and others even add that it will be used as a civilian concentration camp in the near future. I will not advance on this subject because I do not have proof of those claims. I however would understand why such plans would be top secret. Let’s look at the soothing, traveler-friendly art on display at the DIA.
1- Horse of the Apocalypse
So this is what welcomes you when you enter the gates of hell…sorry, I meant the gates of the airport. A 32 foot high fibreglass stallion with veins popping out of its whole body and demonic eyes that glow red. Nice. I heard the children love it. Interesting fact: the horse killed his creator, Luis Jimenez, while he was working on it. A portion of the sculpture came loose and smashed him, causing fatal injuries. His friends now say that the horse is cursed.
What does it represent? The 1st thing that came to mind when I saw this horrendous piece (for an aiport anyways) is: the Pale horse of the Apocalypse. It is the fourth horse in the book of Revelation in the Bible and is appropriately called “Death”.
“And I looked, and behold a pale horse;
and his name that sat on him was
Death, and Hell followed with him. And
power was given unto them over the
fourth part of the earth, to kill with
sword, and with hunger, and with
death, and with the beasts of the earth”.
In other words, the horse “Death” brought killing with weapons, with hunger, and with disease. That’s pretty extreme a family airport, right? Doesn’t seem like that horse should be there. You will soon realize that it fits perfectly with the rest of the DIA. By the way, this is one scary horse anus!
2- Masonic Capstone
The stone is situated in the “Great Hall” of the airport (term that is also used by masons to refer to their meeting hall). There’s Freemason symbols on the stone and on the “keypad” which seems to be written in braille.
Notice on the capstone the mention “New World Airport Commission”. This particular commission does not exist, so it most likely refers to the New World Order. There is also a time capsule buried under the stone to be opened in 2094. The angled arm is very enigmatic seems to have a purpose other than being decorative. Any insights on this?
3- Prophetic Murals
Divided into four walls, the murals painted by Leo Tanguma are supposed to represent peace, harmony and nature. But I’m not getting these messages at all. When you analyze the symbolism of the murals, you realize that they tell a terrifying story of future events about to happen, as if it was some sort of prophecy. There are specific social and political references and other occult details that basically turn those paintings into a New World Order manifesto. Tanguma reportedly confirmed that he was given guidelines for the paintings and was paid 100 000$ for the first ones. He later denied he was given instructions and refuted any questions regarding hidden meanings in his paintings. Previous Leo Tanguma murals were typical Chicano art, politically charged and community oriented. However, his work at the DIA sends a totally different “vibe”, giving me the gut feeling that he simply drew someone else’s vision. Let’s look at the paintings one by one:
A) “Peace and Harmony with Nature“
So the airport’s official website says that the name of the mural is called “Peace and Harmony with Nature”. Really? At the center of the piece, saddened children with extinct animal and plant species. In the background, a forest on fire and further back, a city on fire.
An interesting fact about that city is that it has been retouched and painted over many times during the years, as if it represents something important for the creators. It seems surrounded by an ill colored haze, as if it was attacked by a bio-chemical weapon.
One of the children holds a Mayan tablet depicting the end of civilization.
At the bottom, of this peaceful painting, we see three open-caskets containing dead girls from different cultures. Left is a Black woman, center is a Native woman. Why are they laying there with the other animals? Are we predicting the extinction of those races? We already know that the military has developed race-specific chemical weapons. Here’s what the Project for New American Century (PNAC), a think tank that defines the foreign and defence policy of the US has to say about this:
“… the art of warfare … will be vastly different than it is today … “combat” likely
The girl on the right holds a Bible and a yellow “Juden” star used by the Nazi to identify jews. It seems to symbolize the death of Judeo-Christian beliefs. The group at the origin of the imagery of this airport are definitively NOT Christian or Jewish. Secret societies have their own belief system that is way too complex to explain here (check the “Educate Yourself‘ section for more info). I can however tell you that caskets are an important part of masonic symbolism as you can see in the next image depicting the main symbols of freemasonry. Tombs are also a big part of the Skull and Bones’ rituals.
B) Children of the World Dream of Peace
The 2nd mural is a two part piece. We read from left to right, so I will analyze it from left to right.
Children of all colors, dressed in folkloric costumes give weapons wrapped in their country’s national flag to a… German boy? Huh? Yes the Bavarian costume leaves no doubt. The boy at the center of the image, holding the hammer and apparently building something is German. Even the American kid (dressed as a boyscout) seems eager to give his weapons and flag to the German boy. You’re in the largest airport of America, in the middle of the USA, and this is the mural we display. America joyfully submitting to Germany. It’s just too odd to compute. This obviously represents countries of the world giving up their military might and their national identity for “the common good”. Another reference to a New World order, with one government and one army. But why is the German boy at the center of everything? There are so many allusions to Germany and Nazism in this airport, there is NO WAY it can be a coincidence. I can’t help but to think of”Operation Paperclip“, which brought prominent Nazi scientists and researchers to the USA after WWII. Laying at the bottom of the mural is a broken figure holding a riffle (representing war) with two doves sitting on top of it (representing peace). Heartwarming. Now follow the movement the of the rainbow that starts underneath that statue, going around the children and leading you to part II of the mural (which has recently painted over)
The monster has awakened! This big and aggressive militaristic figure is dressed in a Nazi uniform (notice the symbol on the hat) with a face shaped like a gas mask. His hands are holding a rifle and a scimitar that is rather violently molesting the peace bearing dove. On the left is depicted an endless lineup of crying parents holding their limp, dead baby. This is a truly atrocious painting, with no redeeming message or moral. The fact that this was displayed at the main gate of the largest airport of America, during the age of political correctness (the nineties) is totally aberrant. The militaristic figure is glorified and all-powerful, situated at the center of the action. It has regained its powers that it seemed to have lost after WWII. It is back in full force and its leading the way to a new holocaust.
Look closely at the people on the left and the dead children sleeping on bricks. There is no traces of violence on them. They’re simply devoid of life, as if they were poisoned by the deadly gas emanating from the rainbow above them. The monster, protected by his gas mask, is pointing the lineup of victims towards the letter on the bottom left.
It is an actual letter written by a Hama Herchenberg, 14 years old, that died December 18, 1943 in Auschwitz Concentration camp (as written at the bottom of the letter). A little disturbing isn’t it. Auschwitz was infamous for it use of toxic gas.
The camp commandant, Rudolf Höß, testified at the Nuremberg Trials that up to 3 million people had died at Auschwitz, about 90 percent of whom were Jews. Most victims were killed in Auschwitz II’s gas chambers using Zyklon B
The presence of a colorful rainbow and a teddy bear in this image, symbols our minds instantly associate with youth and innocence, is totally sickening and twisted. One last thing about the scimitar: it is a symbol often used in masonic imagery:
C) Peace and Harmony with Nature
What do you do when you’ve killed most of the world population with toxic gas? You celebrate around a genetically-modified-glowing plant of course! Happy people from all over the world irresistibly heading towards that plant, some are almost flying towards it. Right above this plant (that doesn’t exist in real life) is a Jesus-like figure but is definitively not Jesus.
All of the extinct species of the 1st mural are all back in action and you even see a little dove appearing in the plant. How nice. They feel so much better now that there’s much less people on earth now. The animals are happy too and they thank you for dying. People can now use high levels of scientific knowledge to live in a state of synthesized happiness provided by genetically modified plants. Good for them. The whales are jumping in the air, high-fiving humans. If you look closely at the baby tigers, they have faces of human children. Its it quite bizarre. This whole piece reaks of genetic modification and magick.
To sum up, those murals clearly depicted admitted goals you can read in documents calling for a New World Order:
Massive depopulation of the earth
Death of Judeo-Christian beliefs
One World government
Restoration of nature
If you’ve read my piece about the Georgia Guidestones, you might notice that the themes are strickingly similar. Coincidence? The Georgia Guidestones also feature a capstone with a time capsule buried under it. There is no “conspiracy theory” here, those are facts. Everything is written in stone for you to see. The elites own this place and they build monuments to celebrate their culture. Their “divine knowledge” is however inaccessible to you unless you’re a high ranking member. There is so much to interpret in those murals that I’m convinced I’ve missed a lot of details (colors, shapes, movement, symbols).
3- The Swastika Runway
After seing all of the allusions to Nazi Germany, would you be surprised if the runways were shaped like a swastika? Here’s an aerial view of the runways and below is how the runways appear in Google Map. Draw your own conclusions.
I highly doubt that the guy who drew the runways did not notice their odd shape. I mean, someone in the process of drawing and/or building had to say “Wait a minute, this kinda looks like that Nazi symbol! We should maybe change it! We don’t want our new 4,1G$ airport to be offensive or anything”. But that did not happen for some reason.
4- Other weirdness
Like I’ve said before, a book could be written on the DIA, so I’ll leave you with unsorted oddities you can see at the DIA.
The symbolism of gargoyles has always been a mystery. Nobody can really explain the reason of their presence, specifically on religious buildings. Are they remnants of past pagan beliefs that never went away? Do they represent something only “illuminated” people know about?
“What are these fantastic monsters doing in the cloisters under the very eyes of the brothers as they read? What is the meaning of these unclean monkeys, strange savage lions and monsters? To what purpose are here placed these creatures, half beast, half man?
-St Bernard of Clairvaux, 12th century
These photos are of a strange set of symbols that run in the floor from the south end of The Great Hall on Level 5 and progress to the north end of The Great Hall. Note the black disk which is occulting the sun. There is no mistaking the architecture in the floor as depicting the sun, and the black disk is beginning to eclipse it. When we arrive at the north end of The Great Hall, there is a statue of Jeppesen which is covering the sun. Is it a reference to the black sun, as revered by the Nazis?
Is it supposed to be “native” art representing mother earth? Looks like an alien “sprinkling” life on earth. Whats with the little faces at the top of the painting? Are they alien watching us from space? I don’t know, I can’t find any information about this piece. It makes me think of crop circles for some reason.
I hope you’ve enjoyed this virtual tour of the DIA and that you currently have a huge question mark on top of your head at the moment. For more information regarding secret societies and their beliefs, please visit the “Educate Yourself” page. If you have more information regarding the DIA, please feel free to contact me.
Additional sources of information or theories.
(VIGILANT CITIZEN) The 2012 Grammy Awards took place in a horrible context: the wake of the sudden, mysterious death of Whitney Houston. The show went on nevertheless … but not without a great deal of strange symbols and events that made one thing very clear: There is a definite dark side to the entertainment business. We will look at the facts surrounding Whitney Houston’s death, the symbolic elements of the 2012 Grammy Awards (including Nikki Minaj’s ritualistic performance) and see how the ceremony turned into another mega-ritual.
I had a feeling that in 2012 the occult agenda of the entertainment industry would be kicked in high gear. I was right: In the span of a week, the most important night in sports (the Superbowl – see the article about it here) and music (the Grammys) were infused with ritualistic elements witnessed by millions of viewers. While the Superbowl half-time show lasted only 13 minutes, the ritual surrounding the Grammys lasted for days and its aftermath is still going on as odd facts and accounts regarding Whitney Houston continue to surface in the media.
This article will list several facts and events that took place before, during and after the Grammy Awards that have a symbolic significance in the grand scheme of things. While some of the facts mentioned here might have been the result of coincidence or poor timing, they still came together in one big, classic case of synchronicity. In other words, apparent coincidences sometimes reveal an underlying pattern behind events.
“Carl Jung described synchronicity as ” the experience of two or more events that are apparently causally unrelated or unlikely to occur together by chance and that are observed to occur together in a meaningful manner. Synchronistic events reveal an underlying pattern, a conceptual framework that encompasses, but is larger than, any of the systems that display the synchronicity. Concurrent events that first appear to be coincidental but later turn out to be causally related are termed incoincident.”
When we look at the facts and the occurrences surrounding Whitney Houston’s death coupled with the symbolic elements of the 2012 Grammy awards, the entire “event” has the looks of an occult ritual, complete with a blood sacrifice, a celebration and even a “re-birth”. Some of the things described below were pre-planned, while others were possibly just odd coincidences. However, the overwhelming and almost palpable energy emanating from the 2012 Grammys definitely made some things align in a synchronistic fashion. Let’s look at the most significant events that happened during that fateful weekend.
Strange Facts Surrounding Whitney Houston’s Death
If you read other articles on this site, you probably noticed that everything surrounding Whitney Houston’s is astonishingly on-par with other celebrity “sacrifices”. Accounts of strange events before the death, bizarre behavior of the authorities when the death was discovered, conflicting reports, vagueness surrounding the cause of the death and, to top it off, a worrying “response” from the music industry through the Grammys. Her case followed the same pattern as several other celebrity deaths that were blamed on drugs despite many conflicting reports. As it was the case for these other celebrities, the media almost automatically launched a campaign depicting Whitney as a hopeless drug addict. Maybe she was a drug addict, but that might only be the tip of the iceberg … a symptom of the true illness that killed Whitney: the music business.
As in the cases of Michael Jackson, Amy Winehouse, Heath Ledger, Brittany Murphy and many others, bizarre events preceded and followed the death of Whitney Houston. After reviewing all of those accounts, one cannot help but wonder: Was Whitney’s death truly an accident or was it a deliberate sacrifice planned by “unseen forces”? While most media reports drum into people’s heads that “Whitney Houston = Drugs”, some sources reveal other details that might lead to other paths of thinking. Here’s Roger Friedman’s account of things that happened at the Beverly Hilton on February 11th:
Whitney’s Death: An Earlier Incident?
Whitney Houston’s death made for a long day’s journey into night at the Beverly Hilton. While the Clive Davis Grammy dinner had to proceed downstairs in the ballroom–with 800 guests already filing in as the news was breaking–Whitney remained in state, so to speak, in her fourth floor suite. She was not removed until just moments before the party ended–a little after midnight. She’d been in the suite, discovered in her bathtub. But there were many people in the suite when this happened at 3:50pm including her daughter Bobbi Kristina, her brother Gary, sister in law Pat Houston, and another player in this story — a nightlife friend who’d been guiding her around town the last few days as she was photographed in states of duress.
What you don’t know is that around 11pm, paramedics were called back to the fourth floor. Security and police raced back to the 4th floor. A medical wheelchair with restraints was brought in through the back entrance to the hotel. Bobbi Kristina “freaked out”–well, she’d been upstairs for hours with her mother’s dead body in the next room. It was understandable. The paramedics thought they were going to to have to take her to the hospital. But calm was restored. For ten minutes, though, security cleared the entire lobby of the hotel while the concert was going on inside the ballroom. I was out there at that moment, and it was one of the strangest scenes ever.
Then there’s the mysterious story of a leak that occurred the night before from Whitney’s group of suites. A man on the third floor right underneath Houston’s suite suddenly experienced water cascading into his bathroom from above at 2:30am. It wasn’t just a trickle. The man called security, then went upstairs to the fourth floor to see what was going on. He swears to me that it was Whitney’s bathtub that was overflowing. He also says that a flat screen television had been been broken–the screen was smashed. My sources at the hotel say there was a “leak” but that it wasn’t from Whitney’s room. “They [her group] have a lot of rooms up there,” says the hotel source. My source, this man, insists that he was told it was Whitney Houston’s room. It does seem to have been part of her group of rooms.
There are many mysteries here. None of them have been reported or solved by TMZ or one of the other muckracking tabloids. I know the man who had to pull Whitney out of the bathtub yesterday and attempt to give her CPR. He told me, “She was already dead. There was nothing I could do.”
More on Whitney’s death and the Grammy party follows in the next post. And believe me, dear readers, this isn’t easy. I’ve known Whitney Houston and her family for over 25 years. She was a beautiful girl with a big heart. She was full of optimism. Her mother is one of the finest people. The people who worked for and with her were devoted to her. When the shock turns to anger there will be a lot of finger pointing. But in the end, Whitney ruled her own world.
– Source: Forbes
I am not a criminal investigator and I cannot solve all of the mysteries surrounding Whitney’s death but the fact that her body was there for hours, while a pre-Grammy party was happening just below is a little off-putting. Why wasn’t it simply cancelled? Isn’t the presence of the dead body of a legendary singer in the same exact location as the party reason enough to cancel it? Was there some type of twisted thrill of partying right below Houston’s body?
In another article, Roger Friedman noted the presence of a strange “Hollywood insider” lurking around Whitney Houston that was also around Michael Jackson during his “difficult periods”. Who is that guy?
Whitney Houston’s Mystery Friend Was Also Michael Jackson’s Pal
Here’s the one person in the Whitney Houston story whose name you have not heard, and who has remained a mystery: a Dutch man from Amsterdam who goes by the name of Raffles van Exel. He is also known – in court records—as Raffles Dawson and Raffles Benson. He was on the fourth floor of the Beverly Hilton Hotel in one of Houston’s suites when she died. He appeared downstairs in the lobby shortly thereafter, wearing aviator sunglasses, sobbing.
As usual, he had an entourage in tow, including Quinton Aaron, the actor who played the football player in “The Blind Side.” Raffles, in one of his many PR Newswire releases, recently announced that he’s producing movies with Aaron. It’s just one of many ventures he announces regularly. For someone who has no obvious means of support, he is a regular on PR Newswire and You Tube. On the latter, you can find him interviewing friends of Michael Jackson. It is assumed that he sells stories to tabloids. He regularly includes names of tabloid reporters like Kevin Frazier of “The Insider” on his Tweets.
Despite the shock of Whitney’s death, Raffles still made it downstairs to Clive Davis’s party. He was dressed in formal wear, had Whitney’s tickets in his hand, and intended to sit at her table. Just inside the ballroom he was comforted by celebrities to whom he related his story—“I found Whitney.” Gayle King hugged him. Quincy Jones listened patiently to his story. A security guard told me later, “Well, he was up there.” He was also hanging around with Houston all week prior to her death. On Tuesday when she emerged from a nightclub, looking disheveled, Raffles appears in a photograph on TMZ like a deer in headlights. He is standing right behind her in a powder blue suit. On Twitter, he wrote: “STOP reading the stupid blogs.. Whitney had a great time, she looked amazing. Nothing was wrong, it was just DAMN hot in that club.”
But who is Raffles van Exel? He’s one of Hollywood’s mysteries. I first met him in 2005 hanging around the Jackson family during Michael Jackson’s child molestation trial. After Michael went abroad, Raffles was often seen with Michael’s father, Joseph Jackson. He trades on being an “insider” when there’s a scandal. No one really knows him, but he’s always where there’s action and celebrities. On the internet he claims to own a number of companies including Raffles Entertainment. He’s also been sued a couple of times, once by a partner in something called Max Records, Inc., and once by a private aviation company in Los Angeles. I spoke to the plane company and they said they can’t comment because the situation is ongoing. On Twitter he claims to be managing “my girl,” Chaka Khan. There are plenty of pictures of Raffles on the internet with celebrities. You can see him with everyone from Magic Johnson to Sandra Bullock. If ever there was a real life Zelig, he is it.
It’s not a surprise that Raffles has turned up in Whitney Houston’s story. Last October, he and Whitney and others traveled to North Carolina with Whitney’s sister in law Patricia Houston for something called a Teen Summit. It was billed as part of The Patricia Houston Foundation, an organization for which there is no official 501 c3 registration. Pat Houston, married to Whitney’s brother Gary, has been Whitney’s manager for years. (Whitney’s own foundation for children ceased functioning years ago.) She also owns a consignment shop in North Carolina, and a candle company called Marion P. Candles, with Whitney.
Look for Raffles at Whitney’s funeral tomorrow. In the old days he used to wear a yellow jacket full of black question marks—like The Riddler. On Saturday night, as he pulled in various guests to Clive Davis’s party past the velvet ropes, he was wearing a Michael Jackson-like tuxedo. He lives in West Hollywood now, but his official domicile—and where he’s been sued—is Chicago. He has not responded to countless emails and phone messages.
– Source: Forbes
Was this man instrumental in Whitney’s sacrifice? Did Whitney fall out of the good graces of the music industry elite? Was she becoming difficult to manipulate? Was she sacrificed to introduce her successor? Difficult to say, but Whitney appeared to have premonitions about her death. Some reports described her as “manic” and agitated while others state that Whitney felt that “her days were numbered”. Shortly before her death, Whitney was spotted handing singer Brandy a message whose contents remained a mystery.
What was in Whitney’s secret note to Brandy?
Singer Brandy has one of the last messages ever delivered by Whitney Houston — but she’s not telling anyone what it says.
On Feb. 9 in Los Angeles, Houston approached the younger singer as she and fellow singer Monica and mentor Clive Davis were conducting an interview with E!
A post on RyanSeacrest.com says Houston “crashed” the interview, then goes on to say “Whitney seemed a bit manic as she told Monica about swimming ‘two hours a day,’ and conspicuously handed a note to Brandy before hugging Davis.”
When E! later asked Brandy directly what the note said, she replied “I’m going to just not say what it was and just keep it to myself for my own personal reasons.” She also told the network “Whitney meant everything to me … She’s the reason that I sing.”
Brandy and Houston starred in the 1997 remake of Rodgers and Hammerstein’s “Cinderella.” Brandy also is the elder sister of singer Ray J, who had reportedly dated Houston on and off over the last two years of her life. Ray J gained notoriety in 2003 when a sex tape of him with Kim Kardashian was leaked to the public.
E! has video of Houston handing the note to Brandy, and Brandy’s comments about not revealing its contents.
– Source: MSNBC
The Number 11
When dealing with occult rituals, numerology takes on a primordial importance. In the case of Whitney Houston, the number 11 is definitely a factor. In elite occult circles, the number 11 is a “master number” (it cannot be reduced) and, because it exceeds the number 10 (the number of perfection) by 1, it is usually associated with bad foreboding and black magic. Qabbalists associate the number 11 with transgression of the law, rebellion, war, sin, sorcery and martyrdom.
For this reason, the occult elite often associates mega-rituals involving sacrifice with the number 11. What was the massive mega-ritual of the modern times? September 11th – involving the Twin Towers. At what exact time do we “remember” WWI soldiers who sacrificed their lives for their rulers? At the eleventh hour of the eleventh day of the eleventh month – Veterans Day, aka Remembrance Day.
Going further than the date of her death, another link associates Whitney and her death with Lady Gaga and previous Grammy awards. As some know, Lady Gaga had close ties with fashion designer Alexander McQueen, who was no stranger to occult and mind control symbolism in his work. McQueen died on February 11th, 2010.
During the 2011 Grammy Awards, Gaga stated about her song “Born This Way”:
“I need to thank Whitney Houston. I wanted to thank Whitney, because when I wrote ‘Born this Way,’ I imagined she was singing it – because I wasn’t secure enough in myself to imagine I was a superstar. So, Whitney, I imagined you were singing ‘Born This Way’ when I wrote it.”
“Born This Way” was released on February 11th, 2011. Exactly one year later, Whitney Houston dies on February 11th, 2012. Did Gaga (or her handlers) know something that the rest of us didn’t? Her outfit evidently shows that death was on her mind.
Another little fact: Whitney’s room number was 434 – which in Qabbalistic numerology equals 11 (4+3+4).
Statements from Industry Veterans
Who is better placed than artists who have worked in the music industry for years to provide insightful takes on the death of Whitney Houston? They obviously do not hold the ultimate truth and they might just be trying to make sense of things like the rest of us, but they have first -and experience when it comes to the workings of the music industry.
During an interview on Good Morning America, industry giant Celine Dion bluntly blamed the “bad influence” of show business for Whitney’s death. She even stated that you “have to be afraid” of show business.
“It’s just really unfortunate that drugs, bad people or bad influence took over. It took over her dreams. It took over her love and motherhood. When you think about Elvis Presley and Marilyn Monroe and Michael Jackson and Amy Winehouse, to get into drugs like that, for whatever reason. Is it because of the stress and bad influence? What happens when you have everything? What happens when you have love, support, the family, motherhood? You have responsibilities of a mother and then something happens and it destroys everything. That’s why I don’t do parties and I don’t hang out. That’s why I’m not part of show business. We have to be afraid. I’ve always said you have to have fun and do music and you can never be part of show business because you don’t what it’s going to get yourself into. You have to do your work and get out of there.”
– Source: Vancouver Sun
Is Celine Dion’s avoidance of show business the reason she manages to be relatively scandal-free?
Another legendary diva, Chaka Khan, was even more direct when explaining the true cause of Whitney’s death. During an interview with Piers Morgan, she stated:
“I think we all, as artists, because we’re highly sensitive people, and this machine around us, this so-called ‘music industry,’ is such a demonic thing. It’s sacrifices people’s lives and their essences at the drop of a dime … I had a manager once say to me, ‘ You know you’re worth more money dead than alive.’
I mean, I’ve cried for her, a lot over the years, so many times. In a way I’ve mourned her, because I felt something was gonna happen because she was so close to the wire.”
– Source: Eonline
Was Chaka Khan exaggerating when using the terms “demonic” and “sacrifice” when describing the music industry? Judging by the symbolism found at the Grammy awards, she was probably right on the dot.
The Mega-Ritual that Was the 2012 Grammy Awards
The Grammy Awards has been dubbed “music’s biggest night” and, since the music industry is ruled by an occult elite, “music’s biggest night” reflects this elite’s code. Because of Whitney Houston’s death, the 2012 edition of the Grammy Awards had a peculiar feel that was almost palpable through the television screen. Intentionally or not, Whitney’s death was tied-in with the awards ceremony and the symbolism that transpired from it.
The ceremony began in a very peculiar fashion, especially given the context of the Whitney’s death. Bruce Springsteen yelled to the crowd “Are you alive out there?“, then sang the song We Take Care of Our Own, a mantra that was repeated throughout the evening. Well, I know someone who was definitely not alive out there – the very person that was on everyone’s mind when the show began. And, in the last years of her life, she wasn’t particularly well taken care of, either. In fact, as I stated in the article, What Happened to Whitney Houston, I believe that something terrible happened to Whitney Houston that went way beyond using drugs. She was mentally, psychologically and even spiritually disturbed. Was she under mind control or the subject of some kind of dark rituals? Difficult to say. But, as Springsteen chanted We Take Care of Our Own as if it was the anthem of the industry, I couldn’t help but think that Whitney was probably not “one of them”. Her “industry-approved” replacement, however, is “one of them”.
Out With the Old, In With the New?
A day before Whitney’s death, Clive Davis told Piers Morgan that Jennifer Hudson was “the next Whitney”. While Whitney was being reduced to the state of has-been, constantly humiliated by tabloid stories, Hudson was being groomed to become the next industry diva. After being discovered on American Idol, Hudson’s career took off … right after the violent murders of her mother and brother in 2008. Her first public appearance after the traumatic event was singing the Star-Spangled Banner during Superbowl XLIII.
At the 2012 Grammy Awards, who do you think was chosen to pay tribute to the fallen artist by singing her greatest hit I Will Always Love You?
Another artist of Whitney’s calibre re-emerged triumphant, almost like a re-birth after a period of silence: Adele. However, the symbolic ceremony of the 2012 Grammy Awards could not be completed without a true ritual dealing with the spiritual realm. Nikki Minaj took care of that.
The Black Mass
The Grammy Awards ceremony may have begun with a heart-felt prayer for Whitney Houston, but it ended with an all-out Satanic Black Mass. From her “red carpet” entrance to her musical performance, Nikki Minaj played the role of a woman possessed by a demon named “Roman Zolanski”. The 2012 Grammy Awards were apparently chosen to “exorcise” this demon from Nikki and to present it to the world as her new alter-ego. In last year’s Grammy Awards, Lady Gaga also presented a new persona for Born This Way: a Gaga with horns on her forehead.
In a music industry permeated with the concept of mind control, alter-personas that are completely separate from the artists are now the norm. As discussed in the article Origins and Techniques of Monarch Mind Control, the goal of Monarch programming is to create new personalities within a mind-control victim using violent trauma and frightening rituals. The personas that are created are fully programmable by their handlers and can even speak with a different accent, as is the case with Minaj’s alter persona. The chorus of Minaj’s song Roman Holiday appears to refer to the process of mind control:
Take your medication, Roman
Take a short vacation, Roman
You’ll be okay
You need to know your station, Roman
Some alterations on your clothes and your brain
Take a little break, little break
From your silencing
There is so much you can take, you can take
I know how bad you need a Roman holiday
Mind-control slaves are highly medicated and have their clothes (outward style) and brain “altered” by their handlers. This is accomplished by forcing the victim to dissociate from reality through intense trauma and pain: “There is so much you can take” before the mind dissociates from reality or goes on a “Roman Holiday”.
Minaj’s alter-persona is named Roman Zolanski. He has his own strange accent and is evidently the product of evil rituals. The name of this alter is inspired by movie director Roman Polanski, who produced Rosemary’s Baby, a movie about the birth of the Anti-Christ (see the article about it here). Polanski is even more famous for being charged with rape by use of drugs, perversion, sodomy, lewd and lascivious act upon a child under 14, and furnishing a controlled substance to a minor in 1977. Strange fellow to be inspired by. He is however an intricate piece in the history of the occult entertainment industry so this “tribute” to him by an industry pawn such as Minaj is not surprising.
Actual Monarch programming is accomplished using a strong undercurrent of Satanic imagery to disturb and traumatize the victim. In the case of Minaj’s performance, her alter ego was exorcised in a Satanic Black Mass – which is, in essence, a mockery and a desecration of a conventional Christian mass.
Minaj begins her performance tied up in what appears to be Catholic church. The force that possesses her is apparently too strong to hold her down though, and as the church windows explode, she is unbound. Minaj then descends into a church gone wild, complete with strippers rubbing on young priests who are attempting to pray to God (was that really necessary?).
Then, as the choir make a mockery of the classic Christian hymn O Come All Ye Faithful, a pope figure enters and makes Minaj levitate.
In short, Minaj’s performance presented the world her new alter-ego who will be rapping on her next album. Her performance made it clear that Roman Zolanski is nothing less than a demon that was created with Minaj and exorcised from her through a Black Mass ritual. If the performance alone was enough to trouble some viewers, when it is put in the context of Whitney Houston’s death that happened about 24 hours beforehand (a singer that was never shy about her Christian faith), the whole thing takes on an even more troubling dimension. Ancient magicians drew on the power of blood sacrifices to carry on Black Magic rituals. With Whitney’s death still fresh in everyone’s mind, the Black Mass that was proudly presented by the 2012 Grammy Awards had all the more potency on its worldwide viewers.
This article presented a great number of facts and symbols that point towards the conclusion that Whitney Houston’s death may have been a blood sacrifice and that the 2012 Grammy Awards had occult ritualistic elements within it. Even if all of these events were not deliberately planned by industry handlers, they all contribute to a clear and disturbing picture of the music industry.
While Whitney Houston’s life was ending under bizarre circumstances and she was portrayed in the media as a hopeless drug addict, a new generation of Illuminati-approved artists were being placed in the spotlight. They willingly participated in the occult ritual that was the Grammy Awards and played their role in the tragic-comedy of the music industry, even if it meant losing their essence and their soul. What happens to those who don’t play along with the system or rebel against it? They disappear from the spotlight, and sometimes they disappear from this earth in less than dignified circumstances. Because, as the mantra of the 2012 Grammy Awards indicates: The elite take care of their own. And no one else.